{"id":6040,"date":"2020-06-09T10:49:59","date_gmt":"2020-06-09T08:49:59","guid":{"rendered":"https:\/\/experienciamoderna.com\/publications\/"},"modified":"2025-02-19T10:45:06","modified_gmt":"2025-02-19T09:45:06","slug":"publications","status":"publish","type":"page","link":"https:\/\/experienciamoderna.com\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; next_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.23.1&#8243; background_color=&#8221;#ffffff&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(190,183,198,0.81) 0%|#beb7c6 100%&#8221; background_color_gradient_start=&#8221;rgba(190,183,198,0.81)&#8221; background_color_gradient_end=&#8221;#beb7c6&#8243; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||6px||false|false&#8221; bottom_divider_style=&#8221;wave2&#8243; bottom_divider_height=&#8221;14vw&#8221; bottom_divider_repeat=&#8221;0.5x&#8221; bottom_divider_flip=&#8221;horizontal&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.22.2&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_font=&#8221;Ubuntu|700|||||||&#8221; header_text_color=&#8221;#393e56&#8243; header_font_size=&#8221;28px&#8221; header_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_text_color=&#8221;#bb7860&#8243; header_3_line_height=&#8221;1.8em&#8221; max_width=&#8221;700px&#8221; custom_margin=&#8221;|||&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Publications<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.24.0&#8243; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;40px||40px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2025\/02\/Tras_la_estela_de_los_feminismos_historicos.png&#8221; alt=&#8221;Portada de libro Hombres feministasExperiencia Moderna&#8221; title_text=&#8221;Tras_la_estela_de_los_feminismos_historicos&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.2&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Miren Llona and Jos\u00e9 Javier D\u00edaz Freire<\/h4>\n<h4><strong><em>&#8220;Tras la estela de los feminismos hist\u00f3ricos&#8221;<\/em><\/strong><\/h4>\n<h4>Ed. Comares, 2023<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2025\/02\/Portada-Voces-de-PortoBello.png&#8221; alt=&#8221;Portada de Voces de Portobello&#8221; title_text=&#8221;Portada Voces de PortoBello&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.2&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h4>David Beorlegui and Pilar P\u00e9rez-Fuentes<\/h4>\n<h4><strong><em>Voces de Portobelo<\/em><\/strong><\/h4>\n<h4>Ahoa,\u00a0 2024<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_enable_color=&#8221;off&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/04\/ilargi-bengoetxea440.jpg&#8221; title_text=&#8221;ilargi bengoetxea440&#8243; align=&#8221;center&#8221; _builder_version=&#8221;4.24.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.2&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Ilargi Bengoetxea Gartzia<\/h4>\n<h4><strong><em>Bisasoaldeko alardeen gatazkaren historia. Tradizioa eta feminismoa (1993-2008)<\/em><\/strong><\/h4>\n<h4>Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Hombres_feministas.jpg&#8221; alt=&#8221;Portada de libro Hombres feministasExperiencia Moderna&#8221; title_text=&#8221;Hombres_feministas&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Jes\u00fas Espinosa Guti\u00e9rrez<\/h4>\n<h4><strong><em>Hombres feministas y masculinidad en la Espa\u00f1a contempor\u00e1nea<\/em><\/strong><\/h4>\n<h4>Feminismos, 2024<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_enable_color=&#8221;off&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Portada-Palabras-contra-olvido.jpg&#8221; title_text=&#8221;Portada Palabras contra olvido&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>David Beorlegui and Carmen Ochoa Bravo<\/h4>\n<h4><strong><em>Palabras contra el olvido. Lucha y militancia en las c\u00e1rceles del franquismo (1968-1977)<\/em><\/strong><\/h4>\n<h4>La oveja roja, 2024<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Portada-Tecnologia.jpg&#8221; title_text=&#8221;Portada Tecnologia&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Margarita S\u00e1nchez Romero and Miren Llona<\/h4>\n<h4><strong><em>\u201cTecnolog\u00eda, ciencia y naturaleza en la historia de las mujeres&#8221;<br \/><\/em><\/strong><\/h4>\n<h4>DEd. Comares, 2023<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Portada-Masculinidades-vertical.jpg&#8221; title_text=&#8221;Portada Masculinidades vertical&#8221; _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Francisco Jim\u00e9nez Aguilar<\/h4>\n<h4><strong><em>&#8220;Masculinidades en vertical. G\u00e9nero, naci\u00f3n y trabajo en el primer franquismo&#8221;<br \/><\/em><\/strong><\/h4>\n<h4>Valencia, Publicacions de la Universitat de Val\u00e8ncia, 2023. ISBN: 978-84-1118-273-7<\/h4>\n<p><a href=\"https:\/\/puv.uv.es\/masculinidades-en-vertical.html\"><em>Compra en la tienda de la Universidad<\/em><\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_enable_color=&#8221;off&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Exposiciones.Paneles-Mujeres-de-Hierro-min.jpeg&#8221; alt=&#8221;Cartel de la exposici\u00f3n: Mujeres de hierro. Experiencia Moderna UPV\/EHU&#8221; title_text=&#8221;Exposici\u00f3nes.Paneles Mujeres de Hierro-min&#8221; url=&#8221;https:\/\/www.bizkaia.eus\/home2\/Archivos\/DPTO9\/Temas\/Pdf\/libro%20definitivo%20PDF%20para%20Web.pdf?hash=030077f75c9f5ad89b10296ab23a48a7&#8243; _builder_version=&#8221;4.24.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Pilar P\u00e9rez Fuentes<\/h4>\n<h4><strong><em>\u201cMujeres de hierro. Historia y memoria&#8221;<br \/><\/em><\/strong><\/h4>\n<h6>Fotograf\u00eda: Amparo Moreno<\/h6>\n<h4>Diputaci\u00f3n Foral de Bizkaia. Bilbao, 2023<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2024\/02\/Portada-Las-locas-en-el-archivo.jpg&#8221; title_text=&#8221;Portada Las locas en el archivo&#8221; url=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Experiencia_Moderna_Libro-ZZZ-Historia-y-memoria-del-movimiento-feminista-en-Bizkaia-1968-1994.pdf&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.24.0&#8243; background_enable_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Geoffroy Huard y Javier Fern\u00e1ndez Galeano (dirs.). Participan Abel D\u00edaz y Carlos \u00c1lvarez<\/h4>\n<h4><strong><em>Las locas en el archivo. Disidencia sexual bajo el franquismo<\/em><\/strong><\/h4>\n<h4>Marcial Pons Historia, Madrid, 2023<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/03\/Publicaciones.Libro_.ZZZ-Historia-y-memoria-del-movimiento-feminista-en-Bizkaia-1968-1994-min.png&#8221; title_text=&#8221;Publicaciones.Libro.ZZZ Historia y memoria del movimiento feminista en Bizkaia (1968-1994).LInkearaportada-min&#8221; url=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Experiencia_Moderna_Libro-ZZZ-Historia-y-memoria-del-movimiento-feminista-en-Bizkaia-1968-1994.pdf&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.24.0&#8243; background_enable_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Mercedes Arbaiza y Maialen Aranguren<\/h4>\n<h4><strong><em>Zutik Zutik Zutik Historia y memoria del movimiento feminista en Bizkaia (1968-1994), Zutik Zutik Zutik Mugimendu Feministaren Historia eta Memoria Bizkaian (1968-1994)<\/em><\/strong><\/h4>\n<h4>Diputaci\u00f3n Foral de Bizkaia, Bizkaia Foru Aldundia, 2023.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_enable_color=&#8221;off&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/03\/BeorleguiComo-hacer-entrevistas-min.png&#8221; title_text=&#8221;BeorleguiCo\u0301mo hacer entrevistas-min&#8221; url=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/03\/BeorleguiComo-hacer-entrevistas-1.pdf&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.1&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.1&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>David Beorlegui<\/h4>\n<h4><strong><em>C\u00f3mo hacer entrevistas<\/em><\/strong><\/h4>\n<h4>Direcci\u00f3n General de Evaluaci\u00f3n y Cooperaci\u00f3n Territorial Instituto Nacional de Tecnolog\u00edas Educativas y de Formaci\u00f3n del Profesorado (INTEF). 2023<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.1&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Dos-en-una-sola-carne-min.jpg&#8221; title_text=&#8221;Dos en una sola carne-min&#8221; url=&#8221;https:\/\/www.comares.com\/libro\/dos-en-una-sola-carne_143741\/&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>M\u00f3nica Garc\u00eda Fern\u00e1ndez<\/h4>\n<h4><strong><em>Dos en una sola carne. Matrimonio, amor y sexualidad en la Espa\u00f1a franquista<\/em><\/strong><\/h4>\n<h4>Granada: Comares, 2022<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Feminismos-y-memoria-min.png&#8221; title_text=&#8221;Feminismos y memoria-min&#8221; url=&#8221;https:\/\/revistaseug.ugr.es\/index.php\/arenal\/issue\/view\/997&#8243; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Miren Llona<\/h4>\n<h4><strong><em>Dossier \u201cFeminismos y memoria. Contribuciones desde la Historia oral\u201d<\/em><\/strong><\/h4>\n<h4>Arenal, 2020<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.1&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Cuerpos-en-transito-min.jpg&#8221; title_text=&#8221;Cuerpos en tr\u00e1nsito-min&#8221; url=&#8221;https:\/\/www.comares.com\/libro\/cuerpos-en-transito_129921\/&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.20.0&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Bakarne Altonaga Bego\u00f1a<\/h4>\n<h4><strong><em>Cuerpos en tr\u00e1nsito. Los significados del g\u00e9nero en la crisis del Antiguo R\u00e9gimen en el Pa\u00eds Vasco<\/em><\/strong><\/h4>\n<h4>Granada, Comares, 2021<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Catholicism-and-gender-min.png&#8221; title_text=&#8221;Catholicism and gender-min&#8221; url=&#8221;https:\/\/onlinelibrary.wiley.com\/toc\/14679809\/2021\/45\/4&#8243; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Ra\u00fal M\u00ednguez Blasco (coord.)<\/h4>\n<h4><strong><em>Monogr\u00e1fico \u201cCatholicism and gender in Modern Spain (19th-20th centuries)\u201d<\/em><\/strong><\/h4>\n<h4>Revista Journal of Religious History 45-4<\/h4>\n<h4>Dios Fern\u00e1ndez y Ra\u00fal M\u00ednguez Blasco<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2023\/02\/Genero-identitatea-min.jpg&#8221; title_text=&#8221;Genero-identitatea-min&#8221; url=&#8221;https:\/\/www.ueu.eus\/argitaletxea\/liburuak\/genero-identitatea-euskal-dantza-tradizionalaren-eraikuntzan&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.20.0&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Oier Araolaza Arrieta<\/h4>\n<h4><strong><em>Genero-identitatea euskal dantza tradizionalaren eraikuntzan<\/em><\/strong><\/h4>\n<h4>Udako Euskal Unibertsitatea, 2020<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2021\/02\/BakarneAltonagaGuztiakDantzari.jpg&#8221; title_text=&#8221;Bakarne_Altonaga_Guztiak_Dantzari&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Bakarne Altonaga<\/h4>\n<h4><strong><em>Guziak Dantzari. Dantzari buruzko eztabaidak eta generoa euskal probintzietan (XVIII-XIX)<\/em><\/strong><\/h4>\n<h4>Manuel Larramendi Kultur Bazkuna, Andoain, 2020<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/1.-Aritza-S\u00e1enz-del-Castillo.-Sin-descanso.El-servicio-dom\u00e9stico-durante-el-franquismo.-Portada.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Aritza S\u00e1enz del Castillo<\/h4>\n<h4><strong><em>&#8220;Sin descanso, <\/em><\/strong><strong><em>El servicio dom\u00e9stico durante el franquismo&#8221;<\/em><\/strong><\/h4>\n<h4>Icaria, Bilbao, 2020<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Carmen-Gonz\u00e1lez-Guerra-y-Angel-Comonte.-Resiliencia.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Carmen Gonz\u00e1lez Guerra y Angel Comonte Santamar\u00eda<\/h4>\n<h4><strong><em>La experiencia de la resiliencia socialista en Errenteria<\/em><\/strong><\/h4>\n<h4>Fundaci\u00f3n Ram\u00f3n Bilbao Catarata, Bilbao 2019<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.20.0&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/05\/publicaci\u00f3n_David_Beorlegui_words_silences.jpg&#8221; title_text=&#8221;publicaci\u00f3n_David_Beorlegui_words_silences&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>David Beorlegui<\/h4>\n<h4><em><strong>\u00abMemory and Narration\/Memoria y Narraci\u00f3n\u00bb<\/strong><\/em><\/h4>\n<h4>Words and Silences \/ Palabras y Silencios, 2019<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/4.-Bakarne-AltonagaMaialenArangurenAintzaneRinc\u00f3n.Historiagintzaren_ikuspegi_berriak.-Portada1.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Bakarne Altonaga, Maialen Aranguren y Aintzane Rinc\u00f3n<\/h4>\n<h4><strong><em>Historiagintzaren ikuspegi berriak. Teoria eta praktika<br \/><\/em><\/strong><\/h4>\n<h4>Univ. Pa\u00eds Vasco\u00a0 y UEU, Bilbao, 2018<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/NereaBarjola1-1.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea Barjola<\/h4>\n<h4><em><strong>Microf\u00edsica sexista del poder. El caso Alcasser y la construcci\u00f3n del terror sexual<\/strong><\/em><\/h4>\n<h4>Llevar-virus, Barcelona, 2018<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Eider-de-Dios.-Sirvienta-empleada-y-trabajadora-de-hogar..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Eider De Dios<\/h4>\n<h4><em><strong>Sirvienta, empleada, trabajadora de hogar. G\u00e9nero, clase e identidad en el franquismo y la transici\u00f3n a trav\u00e9s del servicio dom\u00e9stico (1939-1995)<\/strong><\/em><\/h4>\n<h4>Univ. de M\u00e1laga, M\u00e1laga, 2018<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/David-Beorlegui.Transici\u00f3n-y-melancol\u00eda.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>David Beorlegui<\/h4>\n<h4><em><strong>Transici\u00f3n y melancol\u00eda. La experiencia del desencanto en el Pa\u00eds Vasco (1976-1986)<\/strong><\/em><\/h4>\n<h4>Postmetr\u00f3poli, Madrid, 2017<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Nerea_Aresti_LaEspana_Inver.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea Aresti, Karin Peters y Julia Br\u00fchne (eds.)<\/h4>\n<h4><strong><em>\u00bfLa Espa\u00f1a invertebrada? Masculinidad y naci\u00f3n a comienzos del s.XX<\/em><\/strong><\/h4>\n<h4>Comares Historia, Granada, 2016.<\/h4>\n<h4>Contributors: Nerea Aresti, Jos\u00e9 Javier D\u00edaz Freire.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Nerea_A_Cuadernos_Historia_Contemporanea.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea Aresti, Darina Martyk\u00e1nov\u00e1 (coords.)<\/h4>\n<h4><strong><em>Dossier &#8220;Masculinidades, naci\u00f3n y civilizaci\u00f3n en la Espa\u00f1a contempor\u00e1nea\u201d<\/em><\/strong><\/h4>\n<h4>Cuadernos de historia contemp Vol. 39 (2017): 11-128<\/h4>\n<h4>Contributors: Jos\u00e9 Javier D\u00edaz Freire and Nerea Aresti.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Ra\u00fal-M\u00ednguez.Evas-Mar\u00edas-y-Magdalenas..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Ra\u00fal M\u00ednguez<\/h4>\n<h4><strong><em>Evas, Mar\u00edas y Magdalenas. G\u00e9nero y modernidad cat\u00f3lica en la Espa\u00f1a liberal (1833-1874)<br \/><\/em><\/strong><\/h4>\n<h4>Centro de Estudios Pol\u00edticos y Constitucionales, Universidad de Santiago de Compostela, Madrid, 2016<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Aritza-S\u00e1enz-del-Castillo.-Las-damas-de-hierro..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Aritza S\u00e1enz del Castillo<\/h4>\n<h4><strong><em>Las Damas de Hierro. La participaci\u00f3n de las mujeres en el mercado laboral de Vitoria-Gazteiz (1950-1975)<br \/><\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 2015<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/R.Minguez-Culturas-politicas.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Jos\u00e9 Antonio Caballero Mach\u00ed, Ra\u00fal M\u00ednguez Blasco y Vega Rodr\u00edguez-Flores Parra (coords.)<\/h4>\n<h4><strong><em>Culturas pol\u00edticas en la contemporaneidad. Discursos y pr\u00e1cticas pol\u00edticas desde los m\u00e1rgenes a las \u00e9lites.<\/em><\/strong><\/h4>\n<h4>Asoc. de Historia Contempor\u00e1nea \/ Univ. de Val\u00e8ncia &#8211;\u00a0 Valencia, 2015.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/05\/publicaci\u00f3n_David_Beorlegui_words_silences.jpg&#8221; title_text=&#8221;publicaci\u00f3n_David_Beorlegui_words_silences&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Beorlegui, David (co-editor, junto a Christina Landman)<\/h4>\n<h4><strong><em>\u00abNew Digital Edition\/Nueva Edici\u00f3n Digital\u00bb<\/em><\/strong><\/h4>\n<h4>Words and Silences \/ Palabras y Silencios, 2015<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Jos\u00e9J-D\u00edaz-Freire-Emociones-Historia1.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Jos\u00e9 Javier D\u00edaz Freire (coord)<\/h4>\n<h4><em><strong>Monogr\u00e1fico \u201cEmociones e Historia\u201d<br \/><\/strong><\/em><\/h4>\n<h4>Journal <em>Ayer 98<\/em><\/h4>\n<h4>Contributors: Jos\u00e9 Javier D\u00edaz Freire and Mercedes Arbaiza<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Luis-Ocio.-Ramiro-de-Maeztu..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Luis Ocio<\/h4>\n<h4><em><strong>Ramiro de Maeztu: un mon\u00e1rquico en la II Rep\u00fablica<br \/><\/strong><\/em><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 2014<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Aintzane-Rinc\u00f3n.-Representaciones-de-g\u00e9nero-en-el-cine.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Aintzane Rinc\u00f3n<\/h4>\n<h4><em><strong>Representaciones de g\u00e9nero en el cine espa\u00f1ol (1936-1982): figuras y fisuras.<br \/><\/strong><\/em><\/h4>\n<h4>Centro de Estudios Pol\u00edticos y Constitucionales. Univ. de Santiago de Compostela,\u00a0 Madrid, 2014<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Aintzane-Rinc\u00f3n-eta-Arantza-Anc\u00edbar.Caminando-por-un-sue\u00f1o.Portada.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Aintzane Rinc\u00f3n y Arantza Anc\u00edzar<\/h4>\n<h4><strong><em>Caminando por un sue\u00f1o: las primeras andere\u00f1os de la Ikastola San Nikolas (1963-1969)<br \/><\/em><\/strong><\/h4>\n<h4>Getxoko Udala, Berdintasunerako Zerbitzua, Getxo, 2014<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Aintzane-Rinc\u00f3n-eta-Arantza-Anc\u00edbar.-Ametsak_Azala..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Aintzane Rinc\u00f3n \/ Arantza Ancizar<\/h4>\n<h4><strong><em>Ametzak egi bihurtuz:San Nikolas Ikastolako leher andere\u00f1oak (1963-1969)<\/em><\/strong><\/h4>\n<h4>Getxoko Udala, Berdintasunerako Zerbitzua, Getxo, 2014<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Pilar-P\u00e9rez-Fuentes.-Entre-dos-orillas.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Pilar P\u00e9rez Fuentes (coord.)<\/h4>\n<h4><em><strong>Entre dos orillas: las mujeres en la historia de Espa\u00f1a y Am\u00e9rica Latina<br \/><\/strong><\/em><\/h4>\n<h4><em>Asoc. Espa\u00f1ola Investigaci\u00f3n Historia de las Mujeres (AEHIM)<\/em> &#8211; Icaria, Barcelona, 2012.<\/h4>\n<h4>Contributors: Nerea Aresti and Pilar P\u00e9rez Fuentes.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Miren-LLona.-Entreverse.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Miren Llona (coord.\/ed)<\/h4>\n<h4><em><strong>Entreverse. Teor\u00eda y metodolog\u00eda pr\u00e1ctica de las fuentes orales.<br \/><\/strong><\/em><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 2012.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Lola-Valverde.-Ezkontza-eta-genero..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Lola Valverde<\/h4>\n<h4><strong><em>Ezkontzak eta genero-harremanak Azpeitian\/ Historia de la familia el matrimonio y las relaciones de g\u00e9nero en Azpeitia<br \/><\/em><\/strong><\/h4>\n<h4>Ayto. de Azpeitia, Azpeitia, 2011<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/PilarPF-Subjetividad-Cultura-Material-G\u00e9nero.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; admin_label=&#8221;Separador&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Pilar P\u00e9rez Fuentes (coord.)<\/h4>\n<h4><strong><em>Subjetividad, Cultura Material y G\u00e9nero. Di\u00e1logo con la historiograf\u00eda italiana<\/em><\/strong><\/h4>\n<h4>Asoc. Espa\u00f1ola Investigaci\u00f3n de Historia de las Mujeres (AEHIM) Icaria, Brcelona,\u00a0 2010.<\/h4>\n<h4>Contributors: Mercedes Arbaiza and Miren Llona.<strong><br \/><\/strong><\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/NereaA.-masculinidades-en-tela-de-juicio.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea aresti<\/h4>\n<h4><strong><em>Masculinidades en tela de juicio<\/em><\/strong><\/h4>\n<h4>Colecci\u00f3n Feminismos. Madrid, 2010<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/M_Arbaiza-PPFuentes-Historia-e-identidades-nacionales.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Mercedes Arbaiza y Pilar P\u00e9rez Fuentes (eds.)<\/h4>\n<h4><strong><em>Historia e identidades nacionales. Hacia un pacto entre la ciudadan\u00eda vasca.<\/em><\/strong><\/h4>\n<h4>Servicios Redaccionales Bilbainos, Bilbao 2007.<\/h4>\n<h4>Contributors: Mercedes Arbaiza, Jos\u00e9 Javier D\u00edaz Freire and Pilar P\u00e9rez Fuentes.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/NereaA-MirenLlona-Cuerpos-discuros-identidades.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Miren Llona y Nerea Aresti (coord.)<\/h4>\n<h4><strong><em>Monogr\u00e1fico \u201cCuerpo, discursos e identidades\u201d<\/em><\/strong><\/h4>\n<h4>Journal <em>Arenal<\/em>, Vol.14, n\u00ba1, enero-junio, 2007.<\/h4>\n<h4>Contributors: Miren Llona and Jos\u00e9 Javier D\u00edaz Freire.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/NereaA-las-trabajadoras-vizcainas.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea Aresti<\/h4>\n<h4><em><strong>Las trabajadoras vizca\u00ednas<br \/><\/strong><\/em><\/h4>\n<h4>Bilbao Bizkai Kutxa, Bilbao, 2006.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Pilar-P\u00e9rez-Fuentes.-Amas-de-casa-y-ganadores-de-pan..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Pilar P\u00e9rez Fuentes<\/h4>\n<h4><strong><em>Ganadores de pan y amas de casa. Otra mirada sobre la industrializaci\u00f3n vasca.<br \/><\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 2003.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Miren-LLona.-Entre-se\u00f1orita-y-garconne..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><em>Miren Llona<\/em><\/h4>\n<h4><strong><em>Entre se\u00f1orita y gar\u00e7onne: historia oral de las mujeres bilba\u00ednas de clase media, (1919-1939).<\/em><\/strong><\/h4>\n<h4>Atenea, M\u00e1laga, 2002.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Nerea_Aresti_medicos-donjuanes.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Nerea Aresti<\/h4>\n<h4><em><strong>M\u00e9dicos, donjuanes y mujeres modernas. Los ideales de feminidad y masculinidad en el primer tercio del s.XX<\/strong><\/em><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, 2001 Bilbao<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/M_Arbaiza-la-cuestion-vasca.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Mercedes Arbaiza (ed.)<\/h4>\n<h4><strong><em>La cuesti\u00f3n vasca. Una mirada desde la historia<\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 2000.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Mercedes-Arbaiza_Trabajo-y-reproduccion-social.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Mercedes Arbaiza<\/h4>\n<h4><strong><em>Familia Trabajo y Reproducci\u00f3n Social. Una perspectiva microhist\u00f3rica de la sociedad vizca\u00edna a finales del Antiguo R\u00e9gimen<\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 1997<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Lola-Valverde.-Entre-el-deshonor-y-la-miseria..jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Lola Valverde<\/h4>\n<h4><strong><em>Entre el deshonor y la miseria: infancia abandonada en Guip\u00fazcoa y Navarra, siglos XVIII y XIX<\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 1994.<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Pilar-P\u00e9rez-Fuentes.-Vivir-y-Morir-en-las-minas.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Pilar P\u00e9rez Fuentes<\/h4>\n<h4><strong><em>Vivir y morir en la minas: estrategias familiares y relaciones de g\u00e9nero en la primera industrializaci\u00f3n vizca\u00edna (1877-1913)<\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 1993<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Javier_Diaz_Freire_la-republica-y-el-porvenir.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Jos\u00e9 Javier D\u00edaz Freire<\/h4>\n<h4><strong><em>La Rep\u00fablica y el Porvenir: culturas pol\u00edticas en Vizcaya durante la Segunda Rep\u00fablica<\/em><\/strong><\/h4>\n<h4>\u00a0Kriselu, D.L, Bilbao, 1993<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/Javier_D_Freire_expectativas.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Jos\u00e9 Javier D\u00edaz Freire<\/h4>\n<h4><strong><em>Expectativas y frustraciones en la Segunda Rep\u00fablica<\/em><\/strong><\/h4>\n<h4>Univ. del Pa\u00eds Vasco, Bilbao, 1991<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(230,218,230,0.5)&#8221; background_color_gradient_direction=&#8221;176deg&#8221; background_enable_image=&#8221;off&#8221; custom_padding=&#8221;0px||40px||false|false&#8221; custom_padding_tablet=&#8221;||||false|false&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_image src=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/LolaValverde_hist_gipuzkoa.jpg&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_divider color=&#8221;#393e56&#8243; divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_font_size=&#8221;16px&#8221; header_3_line_height=&#8221;1.8em&#8221; header_4_font_size=&#8221;14px&#8221; custom_padding=&#8221;|20px||30px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Lola Valverde<\/h4>\n<h4><em><strong>Historia de Guip\u00fazcoa<\/strong><\/em><\/h4>\n<h4>Txertoa, San Sebasti\u00e1n, 1984<\/h4>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PublicationsMiren Llona and Jos\u00e9 Javier D\u00edaz Freire &#8220;Tras la estela de los feminismos hist\u00f3ricos&#8221; Ed. Comares, 2023David Beorlegui and Pilar P\u00e9rez-Fuentes Voces de Portobelo Ahoa,\u00a0 2024Ilargi Bengoetxea Gartzia Bisasoaldeko alardeen gatazkaren historia. Tradizioa eta feminismoa (1993-2008) Euskal Herriko Unibertsitatearen Argitalpen ZerbitzuaJes\u00fas Espinosa Guti\u00e9rrez Hombres feministas y masculinidad en la Espa\u00f1a contempor\u00e1nea Feminismos, 2024David Beorlegui and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6040","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/comments?post=6040"}],"version-history":[{"count":34,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6040\/revisions"}],"predecessor-version":[{"id":10861,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6040\/revisions\/10861"}],"wp:attachment":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/media?parent=6040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}