{"id":6189,"date":"2020-06-09T11:21:41","date_gmt":"2020-06-09T09:21:41","guid":{"rendered":"https:\/\/experienciamoderna.com\/doctoral-dissertations-in-progress\/"},"modified":"2024-02-06T13:36:27","modified_gmt":"2024-02-06T12:36:27","slug":"doctoral-dissertations-in-progress","status":"publish","type":"page","link":"https:\/\/experienciamoderna.com\/en\/investigation\/doctoral-theses\/doctoral-dissertations-in-progress\/","title":{"rendered":"Doctoral dissertations in progress"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.24.0&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_type=&#8221;circular&#8221; background_color_gradient_direction_radial=&#8221;bottom&#8221; background_color_gradient_stops=&#8221;rgba(190,183,198,0.81) 0%|#beb7c6 100%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(190,183,198,0.81)&#8221; background_color_gradient_end=&#8221;#beb7c6&#8243; background_image=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/grupo_portada_prueba1.jpg&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||3vw||false|false&#8221; bottom_divider_style=&#8221;wave2&#8243; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;10vw&#8221; bottom_divider_repeat=&#8221;0.5x&#8221; bottom_divider_flip=&#8221;vertical|horizontal&#8221; bottom_divider_arrangement=&#8221;above_content&#8221; bottom_divider_height_tablet=&#8221;0px&#8221; bottom_divider_height_phone=&#8221;0px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_font=&#8221;Ubuntu|700||||on|||&#8221; header_text_align=&#8221;right&#8221; header_text_color=&#8221;#393e56&#8243; header_font_size=&#8221;25px&#8221; header_line_height=&#8221;1.4em&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_line_height=&#8221;1.8em&#8221; text_orientation=&#8221;right&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;700px&#8221; module_alignment=&#8221;right&#8221; custom_margin=&#8221;|||&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1 style=\"text-align: right;\">Doctoral dissertations in progress<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Events&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#f5f5f5&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;#efeef3 0%|#ffffff 100%&#8221; background_color_gradient_start=&#8221;#efeef3&#8243; background_color_gradient_end=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_margin_tablet=&#8221;|0px||&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;40px||||false|false&#8221; top_divider_style=&#8221;wave2&#8243; top_divider_height=&#8221;14vw&#8221; top_divider_repeat=&#8221;0.5x&#8221; top_divider_flip=&#8221;horizontal&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Maialen Altuna<\/strong><\/h3>\n<h4>Beldurraren identitateak. Genero eraikuntzak lehen frankismoan (1936-1961)<\/h4>\n<p>Developed in the Zabalduz programme.<br \/>Collaboration programme between the University of the Basque Country, the Bilbao of Fine Arts Museum and AHOA (Archive of Oral History).<\/p>\n<ul>\n<li>Supervised by Miren Llona and Jone Miren Hern\u00e1ndez.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Abel D\u00edaz<\/strong><\/h3>\n<h4>Homosexualidad y masculinidad normativa en el franquismo (1939-1976)<\/h4>\n<p>Pre-doctoral Grant from the University of the Basque Country (2016- 2020). Research Staff in Training.<\/p>\n<ul>\n<li>Supervised by Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Ra\u00fal Navarro<\/strong><\/h3>\n<h4>Homosexualidad en la Espa\u00f1a de los a\u00f1os veinte y treinta del siglo XX: sujetos y discursos en el periodo anterior a la Guerra Civil<\/h4>\n<p>Pre-doctoral Grant from the University of the Basque Country (2017- 2021). Research Staff in Training.<\/p>\n<ul>\n<li>Supervised by Nerea Aresti and Miren LLona<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Beatriz da Concei\u00e7ao Ferreira Ribeira<\/strong><\/h3>\n<h4><em>Literatura, g\u00e9nero e historia: redes culturales y pol\u00edtica textual en la escritora Consuelo Berges (1899-1988<\/em>).<\/h4>\n<ul>\n<li>\n<p>Supervised by Miren Llona<\/p>\n<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Aitor Sarasqueta<\/strong><\/h3>\n<h4><em>Las masculinidades en la Transici\u00f3n pol\u00edtica espa\u00f1ola a trav\u00e9s del cine (1975-1986)<\/em><\/h4>\n<p>Pre-doctoral grant from the Basque Government<\/p>\n<ul>\n<li>\n<p>Supervised by Nerea Aresti and Aintzane Rinc\u00f3n<\/p>\n<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Mar\u00eda Llinares Galustian<\/strong><\/h3>\n<h4><em>La prostituci\u00f3n en Espa\u00f1a entre 1935 y 1970. Discursos y experiencias<\/em>.<\/h4>\n<p>FPU grant<\/p>\n<ul>\n<li>\n<p>Supervised by Nerea Aresti eta Darina Martykanova.<\/p>\n<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Ariane Mart\u00ednez Aretxabaleta<\/strong><\/h3>\n<h4>Creatividad y representaci\u00f3n. Identidad y g\u00e9nero en la colecci\u00f3n de arte vasco del Museo de Bellas Artes de Bilbao<\/h4>\n<p>Developed in the Zabalduz programme.<br \/>Collaboration programme between the University of the Basque Country and the Bilbao of Fine Arts Museum.<\/p>\n<ul>\n<li>Supervised by Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Carmen Gonz\u00e1lez Guerra<\/strong><\/h3>\n<h4>Identidades femeninas y feminismo en la cultura socialista en el Pa\u00eds Vasco (1904-1937)<\/h4>\n<ul>\n<li>Supervised by Mercedes Arbaiza.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Carlos \u00c1lvarez<\/strong><\/h3>\n<h4>La ordenaci\u00f3n del cuerpo femenino durante la dictadura franquista a trav\u00e9s de los reformatorios: 1941-1975<\/h4>\n<p>Pre-doctoral Grant from the University of the Basque Country (2016- -2020). Research Staff in Training.<\/p>\n<ul>\n<li>Supervised by Jos\u00e9 Javier D\u00edaz Freire and Miren Llona Gonz\u00e1lez.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Laura Cruz Chamizo<\/strong><\/h3>\n<h4>El ideal de militante comunista en la transici\u00f3n a la democracia (1975-1982)<\/h4>\n<ul>\n<li>Supervised by Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Elia Blanco<br \/><\/strong><\/h3>\n<h4>Duelo, honor y masculinidad en Espa\u00f1a (1868-1898)<\/h4>\n<p>Pre-doctoral Grant from the University of the Basque Country<\/p>\n<ul>\n<li>Supervised by Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Mari Nieves Garc\u00eda Pintor<br \/><\/strong><\/h3>\n<h4><em>La construcci\u00f3n de la masculinidad en la cultura pol\u00edtica socialista (1879-1936)<\/em>.<\/h4>\n<p>Pre-doctoral grant from the Basque Government<\/p>\n<ul>\n<li>Supervised by Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doctoral dissertations in progressMaialen Altuna Beldurraren identitateak. Genero eraikuntzak lehen frankismoan (1936-1961) Developed in the Zabalduz programme.Collaboration programme between the University of the Basque Country, the Bilbao of Fine Arts Museum and AHOA (Archive of Oral History). Supervised by Miren Llona and Jone Miren Hern\u00e1ndez. Abel D\u00edaz Homosexualidad y masculinidad normativa en el franquismo (1939-1976) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6273,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6189","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/comments?post=6189"}],"version-history":[{"count":5,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6189\/revisions"}],"predecessor-version":[{"id":9272,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6189\/revisions\/9272"}],"up":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/pages\/6273"}],"wp:attachment":[{"href":"https:\/\/experienciamoderna.com\/en\/wp-json\/wp\/v2\/media?parent=6189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}