{"id":5885,"date":"2020-06-05T11:09:46","date_gmt":"2020-06-05T09:09:46","guid":{"rendered":"https:\/\/experienciamoderna.com\/sariak\/"},"modified":"2026-03-22T09:49:59","modified_gmt":"2026-03-22T08:49:59","slug":"sariak","status":"publish","type":"page","link":"https:\/\/experienciamoderna.com\/eu\/sariak\/","title":{"rendered":"Sariak"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; next_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.23.1&#8243; background_color=&#8221;#ffffff&#8221; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;rgba(190,183,198,0.81) 0%|#beb7c6 100%&#8221; background_color_gradient_start=&#8221;rgba(190,183,198,0.81)&#8221; background_color_gradient_end=&#8221;#beb7c6&#8243; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||6px||false|false&#8221; bottom_divider_style=&#8221;wave2&#8243; bottom_divider_height=&#8221;14vw&#8221; bottom_divider_repeat=&#8221;0.5x&#8221; bottom_divider_flip=&#8221;horizontal&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.22.2&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_font=&#8221;Ubuntu|700|||||||&#8221; header_text_color=&#8221;#393e56&#8243; header_font_size=&#8221;28px&#8221; header_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_text_color=&#8221;#bb7860&#8243; header_3_line_height=&#8221;1.8em&#8221; max_width=&#8221;700px&#8221; custom_margin=&#8221;|||&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Sariak<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Vision&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row padding_top_bottom_link_1=&#8221;false&#8221; padding_top_bottom_link_2=&#8221;false&#8221; padding_top_bottom_link_3=&#8221;false&#8221; padding_left_right_link_1=&#8221;true&#8221; padding_left_right_link_2=&#8221;true&#8221; padding_left_right_link_3=&#8221;true&#8221; _builder_version=&#8221;4.16&#8243; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_margin_tablet=&#8221;|||3vw&#8221; custom_margin_phone=&#8221;|||2vw&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;0px||||false|false&#8221; animation_direction=&#8221;top&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#f5f5f5&#8243; custom_padding=&#8221;40px|30px||30px&#8221; custom_padding_tablet=&#8221;40px|||&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; global_colors_info=&#8221;{}&#8221; padding_tablet=&#8221;40px|||&#8221; padding_last_edited=&#8221;on|desktop&#8221; custom_padding__hover=&#8221;|||&#8221; padding_phone=&#8221;40px|||&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>XIII MICAELA PORTILLA Saria Euskal Herriko Unibertsitateko UPV\/EHU ikerketa feministei edo genero ikerketei buruzko tesirik onenari 2024<\/h3>\n<p><\/p>\n<p><strong>Maialen Altuna Etxebarria<\/strong><\/p>\n<p><\/p>\n<p><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/tesis?codigo=338133\"><strong>Emociones, represi\u00f3n y resistencias de g\u00e9nero en el franquismo (Pa\u00edsVasco 1939-1968)<\/strong><\/a><strong>\u00a0 gaitik<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>MICAELA PORTILLA Saria Euskal Herriko Unibertsitateko UPV\/EHU ikerketa feministei edo genero ikerketei buruzko tesirik onenari 2022<\/h3>\n<p><\/p>\n<p><strong>Ilargi Bengoetxea<\/strong><\/p>\n<p><\/p>\n<p>&#8221; <strong><a href=\"https:\/\/dialnet.unirioja.es\/servlet\/tesis?codigo=311198\">Irun eta hondarribikoalardeak eta genero ordena. Ikuspegihistoriko bat 1993-2008 &#8221;\u00a0<\/a><\/strong>tesigaitik<\/p>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.20.0&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Ikertzaile Gazteen XX. Mary Nash Saria, 2018 (Historia Garaikidearen Elkartea)<\/h3>\n<p><\/p>\n<h4><strong>Laura Cruz<\/strong><\/h4>\n<p><\/p>\n<p>Artikulu honengatik: <strong>\u201cUn silencio multitudinario: La matanza de Atocha y la contenci\u00f3n emocional comunista\u201d<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Zirgari 2019 Ohorezko Saria<\/h3>\n<p><\/p>\n<h4><strong>Pilar P\u00e9rez Fuentes<\/strong><\/h4>\n<p><\/p>\n<p><a href=\"https:\/\/web.bizkaia.eus\/eu\/web\/area-de-prensa\/berriak\/-\/news\/detailView\/19250\">https:\/\/web.bizkaia.eus\/eu\/web\/area-de-prensa\/berriak<\/a><\/p>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Ikertzaile Gazteen XX. Mary Nash Saria, 2018 (Historia Garaikidearen Elkartea)<\/h3>\n<p>Artikulu honengatik: <strong>\u201cRojo de verg\u00fcenza y condenado por cobarde: masculinidad, honor y duelos en la Espa\u00f1a decimon\u00f3nica\u201d<\/strong>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Edizio Unibertsitarioaren XXII.\u00a0Sari Nazionalak<\/h3>\n<p>Monografia Onenaren Saria Zientzia Juridiko eta Sozialen arloetan<\/p>\n<h4><strong>Eider de Dios<\/strong><\/h4>\n<p>Argitalpen honengatik:\u00a0<strong>Sirvienta, empleada, trabajadora de hogar. Clase, g\u00e9nero e identidad en el franquismo y la transici\u00f3n a trav\u00e9s del servicio dom\u00e9stico, 1939-1995<\/strong>,<\/p>\n<p>M\u00e1laga,\u00a0 UMA Editorial, 2019[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Premio Manuel P\u00e9rez Ledesma 2018<\/h3>\n<p>2017an argitaratutako Historia Garaikideari buruzko artikulu onenaren saria, Historia Garaikidearen Elkarteak emana, artikulu honengatik: \u00a0<strong>\u201cEl gentleman y el b\u00e1rbaro. Masculinidad y civilizaci\u00f3n en el nacionalismo vasco (1893-1937)\u201d<\/strong>,\u00a0<em>Cuadernos de Historia Contempor\u00e1nea, n\u00fam. 39, 2017, pp. 83-103.<\/em><\/p>\n<p>&nbsp;[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>XXVII.\u00a0Victoria Kent Saria 2016 (M\u00e1lagako Unibertsitatea)<\/h3>\n<p><\/p>\n<h3>IX. Miguel Artola Saria (Historia Garaikidearen Elkartea)<\/h3>\n<p><\/p>\n<h4><strong>Eider de Dios<br \/>\n<\/strong><\/h4>\n<p>Doktoretza-tesi honengatik:\u00a0<strong>Sirvienta, empleada, trabajadora de hogar. G\u00e9nero, clase e identidad a trav\u00e9s del servicio dom\u00e9stico en el Gran Bilbao (1939- 1985)<\/strong>, Euskal Herriko Unibertsitatea.<\/p>\n<ul>\n<li>Zuzendariak: Miren Llona y Mercedes Arbaiza.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>IX. Miguel Artola Saria 2016 \u2013 Bigarren Accesita (Historia Garaikidearen Elkartea)<\/h3>\n<p><\/p>\n<h4><strong>David Beorlegui<br \/>\n<\/strong><\/h4>\n<p>Doktoretza-tesi honengatik:\u00a0 <strong>La experiencia del desencanto en el Pa\u00eds Vasco (1976-1986): memoria, subjetividad y utop\u00eda<\/strong>, Universidad del Pa\u00eds Vasco.<\/p>\n<ul>\n<li>Zuzendariak: Jos\u00e9 Javier D\u00edaz Freire y Miren Llona<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Miguel Artola 2014 Saria (Historia Garaikidearen Elkartea)<\/h3>\n<p><\/p>\n<h4><strong>Ra\u00fal M\u00ednguez<br \/>\n<\/strong><\/h4>\n<p>Doktoretza-tesi honengatik: \u00a0<strong>\u00a0La paradoja cat\u00f3lica ante la modernidad. Modelos de feminidad y mujeres cat\u00f3licas en Espa\u00f1a (1851-1874),<\/strong> Universidad de Valencia,<\/p>\n<ul>\n<li>Zuzendaria: Isabel Burdiel.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.27.4&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>Miguel Artola 2013 Saria (Historia Garaikidearen Elkartea)<\/h3>\n<p><\/p>\n<h3>Ikertzaile Gazteentzako VI. Juana de Vega Saria 2013 (Santiago de Compostelako Unibertsitatea).<\/h3>\n<p><\/p>\n<h4><strong>Aintzane Rinc\u00f3n D\u00edez <\/strong><\/h4>\n<p><\/p>\n<p>Doktoretza-tesi honengatik:\u00a0 <strong>Representaciones de g\u00e9nero en el cine espa\u00f1ol (1936-1982): Figuras y fisuras<\/strong>. . Euskal Herriko Unibertsitatea.<\/p>\n<p><\/p>\n<ul>\n<li>Zuzendaria: Nerea Aresti.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Premio Micaela Portilla 2013<\/h3>\n<p><\/p>\n<h4><strong>Aritza S\u00e1enz del Castillo<\/strong><\/h4>\n<p><\/p>\n<p>UPV\/EHUn ikasketa feministei edo generoko ikasketei buruz egindako doktoretza-tesi onenaren saria, honela izena duena:\u00a0<strong>La participaci\u00f3n de las mujeres en el mercado laboral vitoriano (1950-1975)<\/strong>.<\/p>\n<p><\/p>\n<ul>\n<li>Zuzendaria: Pilar P\u00e9rez Fuentes.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_divider divider_position=&#8221;center&#8221; divider_weight=&#8221;3px&#8221; _builder_version=&#8221;4.16&#8243; max_width=&#8221;60px&#8221; height=&#8221;3px&#8221; custom_margin=&#8221;||10px|&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;||||||||&#8221; text_line_height=&#8221;1.8em&#8221; header_2_text_color=&#8221;#ab398e&#8221; header_3_text_color=&#8221;#ab398e&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>XII Premio Victoria Kent 2002 (Universidad de M\u00e1laga)<\/h3>\n<p><\/p>\n<h4><strong>Miren Llona<br \/>\n<\/strong><\/h4>\n<p>Doktoretza-tesi honengatik:\u00a0<strong> Las mujeres de las clases medias bilba\u00ednas. Los cambios de la identidad femenina durante los a\u00f1os veinte y treinta a trav\u00e9s de la historia oral. <\/strong>Euskal Herriko Unibertsitatea, 2000.<\/p>\n<ul>\n<li>Zuzendaria: Jos\u00e9 Javier D\u00edaz Freire.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SariakXIII MICAELA PORTILLA Saria Euskal Herriko Unibertsitateko UPV\/EHU ikerketa feministei edo genero ikerketei buruzko tesirik onenari 2024Maialen Altuna EtxebarriaEmociones, represi\u00f3n y resistencias de g\u00e9nero en el franquismo (Pa\u00edsVasco 1939-1968)\u00a0 gaitikMICAELA PORTILLA Saria Euskal Herriko Unibertsitateko UPV\/EHU ikerketa feministei edo genero ikerketei buruzko tesirik onenari 2022Ilargi Bengoetxea&#8221; Irun eta hondarribikoalardeak eta genero ordena. Ikuspegihistoriko bat 1993-2008 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5885","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/comments?post=5885"}],"version-history":[{"count":26,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5885\/revisions"}],"predecessor-version":[{"id":11694,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5885\/revisions\/11694"}],"wp:attachment":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/media?parent=5885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}