{"id":5889,"date":"2020-06-05T11:34:35","date_gmt":"2020-06-05T09:34:35","guid":{"rendered":"https:\/\/experienciamoderna.com\/aribidean-dauden-doktoretza-tesiak\/"},"modified":"2024-02-06T13:36:07","modified_gmt":"2024-02-06T12:36:07","slug":"aribidean-dauden-doktoretza-tesiak","status":"publish","type":"page","link":"https:\/\/experienciamoderna.com\/eu\/ikerketa\/doktorego-tesiak\/aribidean-dauden-doktoretza-tesiak\/","title":{"rendered":"Aribidean dauden doktoretza-tesiak"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.24.0&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_type=&#8221;circular&#8221; background_color_gradient_direction_radial=&#8221;bottom&#8221; background_color_gradient_stops=&#8221;rgba(190,183,198,0.81) 0%|#beb7c6 100%&#8221; background_color_gradient_overlays_image=&#8221;on&#8221; background_color_gradient_start=&#8221;rgba(190,183,198,0.81)&#8221; background_color_gradient_end=&#8221;#beb7c6&#8243; background_image=&#8221;https:\/\/experienciamoderna.com\/wp-content\/uploads\/2020\/03\/grupo_portada_prueba1.jpg&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||3vw||false|false&#8221; bottom_divider_style=&#8221;wave2&#8243; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;10vw&#8221; bottom_divider_repeat=&#8221;0.5x&#8221; bottom_divider_flip=&#8221;vertical|horizontal&#8221; bottom_divider_arrangement=&#8221;above_content&#8221; bottom_divider_height_tablet=&#8221;0px&#8221; bottom_divider_height_phone=&#8221;0px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_font=&#8221;Ubuntu|700||||on|||&#8221; header_text_align=&#8221;right&#8221; header_text_color=&#8221;#393e56&#8243; header_font_size=&#8221;25px&#8221; header_line_height=&#8221;1.4em&#8221; header_3_font=&#8221;Ubuntu||||||||&#8221; header_3_line_height=&#8221;1.8em&#8221; text_orientation=&#8221;right&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;700px&#8221; module_alignment=&#8221;right&#8221; custom_margin=&#8221;|||&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; header_font_size_tablet=&#8221;&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Aribidean dauden doktoretza-tesiak<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Events&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#f5f5f5&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_stops=&#8221;#efeef3 0%|#ffffff 100%&#8221; background_color_gradient_start=&#8221;#efeef3&#8243; background_color_gradient_end=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_margin_tablet=&#8221;|0px||&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;40px||||false|false&#8221; top_divider_style=&#8221;wave2&#8243; top_divider_height=&#8221;14vw&#8221; top_divider_repeat=&#8221;0.5x&#8221; top_divider_flip=&#8221;horizontal&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Maialen Altuna<\/strong><\/h3>\n<h4>Beldurraren identitateak. Genero eraikuntzak lehen frankismoan (1936-1961)<\/h4>\n<p>Zabalduz programan garatua. Euskal Herriko Unibertsitatearen, Bilboko Arte Ederren Museoaren eta AHOA (Ahozko Historiaren Artxiboa) arteko kolaborazio-programa.<\/p>\n<ul>\n<li>Dirigida por Miren Llona y Jone Miren Hern\u00e1ndez.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Abel D\u00edaz<\/strong><\/h3>\n<h4>Homosexualidad y masculinidad normativa en el franquismo (1939-1976)<\/h4>\n<p>Euskal Herriko Unibertsitatearen Doktoratu Aurreko Beka (2016- 2020) Prestakuntza bidean dauden Ikertzaileak.<\/p>\n<ul>\n<li>Nerea Arestik zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Ra\u00fal Navarro<\/strong><\/h3>\n<h4>Homosexualidad en la Espa\u00f1a de los a\u00f1os veinte y treinta del siglo XX: sujetos y discursos en el periodo anterior a la Guerra Civil<\/h4>\n<p>Euskal Herriko Unibertsitatearen Doktoratu Aurreko Beka (2017- 2021). Prestakuntza bidean dauden Ikertzaileak.<\/p>\n<ul>\n<li>Nerea Arestik eta Miren Llonak zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Beatriz da Concei\u00e7ao Ferreira Ribeira<\/strong><\/h3>\n<h4><em>Literatura, g\u00e9nero e historia: redes culturales y pol\u00edtica textual en la escritora Consuelo Berges (1899-1988<\/em>).<\/h4>\n<ul>\n<li>Miren LLonak zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Aitor Sarasqueta<\/strong><\/h3>\n<h4><em>Las masculinidades en la Transici\u00f3n pol\u00edtica espa\u00f1ola a trav\u00e9s del cine (1975-1986)<\/em><\/h4>\n<p>Eusko Jaurlaritzako doktoregotza-aurreko laguntza<\/p>\n<ul>\n<li>\n<p>Nerea Aresti eta Aintzane Rinconek zuzendua<\/p>\n<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Mar\u00eda Llinares Galustian<\/strong><\/h3>\n<h4><em>La prostituci\u00f3n en Espa\u00f1a entre 1935 y 1970. Discursos y experiencias<\/em>.<\/h4>\n<p>FPU laguntza<\/p>\n<ul>\n<li>Nerea Arestik eta Darina Martykanovak zuzendua.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Ariane Mart\u00ednez Aretxabaleta<\/strong><\/h3>\n<h4>Creatividad y representaci\u00f3n. Identidad y g\u00e9nero en la colecci\u00f3n de arte vasco del Museo de Bellas Artes de Bilbao<\/h4>\n<p>Zabalduz programaren doktoratu aurreko beka. Euskal Herriko Unibertsitatearen eta Bilboko Arte Ederren Museoaren arteko kolaborazio-programa.<\/p>\n<ul>\n<li>Nerea Arestik zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Carmen Gonz\u00e1lez Guerra<\/strong><\/h3>\n<h4>Identidades femeninas y feminismo en la cultura socialista en el Pa\u00eds Vasco (1904-1937)<\/h4>\n<ul>\n<li>Mercedes Arbaizak zuzendua.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Carlos \u00c1lvarez<\/strong><\/h3>\n<h4>La ordenaci\u00f3n del cuerpo femenino durante la dictadura franquista a trav\u00e9s de los reformatorios: 1941-1975<\/h4>\n<p>Euskal Herriko Unibertsitatearen Doktoratu Aurreko Beka (2016- 2020). Prestakuntza bidean dauden Ikertzaileak.<\/p>\n<ul>\n<li>Jos\u00e9 Javier D\u00edaz Freirek eta Miren Llona Gonz\u00e1lezek zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Laura Cruz Chamizo<\/strong><\/h3>\n<h4>El ideal de militante comunista en la transici\u00f3n a la democracia (1975-1982)<\/h4>\n<ul>\n<li>Nerea Arestik zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.16&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Elia Blanco <\/strong><\/h3>\n<h4>Duelo, honor y masculinidad en Espa\u00f1a (1868-1898)<\/h4>\n<p>Euskal Herriko Unibertsitatearen Doktoratu Aurreko Beka.<\/p>\n<ul>\n<li>Nerea Arestik zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.19.5&#8243; header_font=&#8221;||||||||&#8221; header_3_font_size=&#8221;18px&#8221; header_4_font=&#8221;Ubuntu||||||||&#8221; header_4_text_color=&#8221;#ab398e&#8221; header_4_line_height=&#8221;1.6em&#8221; header_5_font=&#8221;Lato||on||||||&#8221; header_5_font_size=&#8221;14px&#8221; header_5_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;30px|30px|30px|30px|false|false&#8221; box_shadow_style=&#8221;preset3&#8243; box_shadow_blur=&#8221;10px&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><strong>Mari Nieves Garc\u00eda Pintor<br \/><\/strong><\/h3>\n<h4><em>La construcci\u00f3n de la masculinidad en la cultura pol\u00edtica socialista (1879-1936)<\/em>.<\/h4>\n<p>Eusko Jaurlaritzako doktoregotza-aurreko laguntza<\/p>\n<ul>\n<li>Nerea Arestik zuzendua<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aribidean dauden doktoretza-tesiakMaialen Altuna Beldurraren identitateak. Genero eraikuntzak lehen frankismoan (1936-1961) Zabalduz programan garatua. Euskal Herriko Unibertsitatearen, Bilboko Arte Ederren Museoaren eta AHOA (Ahozko Historiaren Artxiboa) arteko kolaborazio-programa. Dirigida por Miren Llona y Jone Miren Hern\u00e1ndez. Abel D\u00edaz Homosexualidad y masculinidad normativa en el franquismo (1939-1976) Euskal Herriko Unibertsitatearen Doktoratu Aurreko Beka (2016- 2020) Prestakuntza [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6296,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-5889","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/comments?post=5889"}],"version-history":[{"count":9,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5889\/revisions"}],"predecessor-version":[{"id":9270,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/5889\/revisions\/9270"}],"up":[{"embeddable":true,"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/pages\/6296"}],"wp:attachment":[{"href":"https:\/\/experienciamoderna.com\/eu\/wp-json\/wp\/v2\/media?parent=5889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}